Showing posts with label Vivid Audio. Show all posts
Showing posts with label Vivid Audio. Show all posts

Thursday, March 14, 2024

News - Introducing Vivid Audio Moya M1

14 March 2024

Press release





Introducing Vivid Audio Moya M1

A NEW SUMMIT IN LOUDSPEAKER ENGINEERING

For over 20 years, Vivid Audio has developed ground-breaking loudspeakers to consistent critical acclaim. As with any high-end audio company, we constantly seek ways to push the envelope further.

We’re therefore very pleased to announce the introduction of an all-new ultra-premium loudspeaker – the Moya M1. This will be the new flagship of the range. As always, the Moya M1 was developed according to Vivid Audio’s guiding principle – Form must follow Function.

Like many great ideas, the Vivid Audio Moya M1 started as a sketch. Quarantined in a hotel room during the pandemic, designer Laurence Dickie had the time to dream about a speaker that could do it all. The culmination of a lifetime in pursuit of acoustic design perfection.

A loudspeaker so imbued with power and authority that it would handle any and all types of music with effortless grace.

EIGHT DRIVERS TO RULE THEM ALL

The first thing that strikes one on viewing the M1 is the imposing stack of bass drivers – eight legendary C225-100H drivers, each one capable of handling 800W, arranged in a new high-shove configuration. An awesome display of power!

In fact, the low frequency section played an outsized role in the development of Moya M1. During the testing process, a key finding emerged – extending a speaker’s bass response also improved the perspective of the higher frequency bands.

Each pair of drivers is arranged in a horizontally-opposed configuration on either side of the bass module, with magnets united by a substantial steel tie-bar to completely eliminate reaction forces and the need for a heavy enclosure.

The use of Vivid Audio’s generously proportioned reaction-cancelling ports eliminates cabinet vibration and minimises any turbulent effects which may limit low-end linearity.

Of course, any large loudspeaker can play loud. It was also critical to the team that the listener should be able to pick out the subtlest details – even amidst the hullabaloo of an orchestral crescendo or an explosive drum solo. After all, power is nothing without control.

DLC tweeters and computer-optimised filters

The experience is further enhanced by all-new Diamond-like Coated (DLC) tweeters, a material that can be applied to the surface of aluminium domes at a temperature well below melting point.

The contrasting properties between the DLC and the aluminium substrate heightened shear losses and significantly dampened the ‘Q’ of the break-up. A little black magic that goes a long way to enhancing the listening experience!

Thanks to the computer-optimised, passive, hard-wired filters (built in-house), Moya M1 delivers levels of smoothness, accuracy and phase matching once thought possible only with active systems.

Ultimately, the Moya M1 delivers clarity and precision to the Nth degree, while also being able to reproduce rock concert levels of sound in your living room. From an organ symphony on a huge Cavaillé-Coll instrument to low-end bass from a 90s house anthem, the Moya M1 delivers audio thrills at every octave.




MOYA M1 TECHNICAL INFORMATION

The Vivid Audio Moya M1 is a 5-Way, 13-speaker design.

Four extensively braced bass enclosures, each using two C225 bass drivers in reaction-cancelling modes with aerodynamically-optimised bass ports, are complemented by two C175 mid bass drivers, one C100 mid-range, one D50 upper mid-range and one D26 tweeter.

All drivers are developed from our existing drivers and optimised for use in the Moya M1. The speaker makes use of a passive, five-way, fourth order Linkwitz-Riley crossover in three parts, where the mid & high sections are placed well away from bass sections.

The Moya M1 is manufactured entirely in-house to allow for absolute control over every facet of the build process. To meet our exacting standards we craft, assemble and finish each part in-house by hand.


VIVID AUDIO BACKGROUND

Vivid Audio was founded in the early 2000s by Philip Guttentag and Laurence Dickie. From the very start, the pair set out to build loudspeakers that ‘present the original recording, as clearly and faithfully as possible’.

From the launch of the first Vivid Audio model – the Oval B1 – in 2004, they have rigorously pursued this vision and now offer an extensive range of models, from the Kaya C35 to the new flagship, Moya M1.

Guttentag, a trained engineer, brought extensive experience in the retail, acoustic consultancy and distribution fields; Dickie was an established loudspeaker designer with a long and illustrious career.

While working for British loudspeaker manufacturers, Bowers and Wilkins, Laurence Dickie pioneered the “Matrix” loudspeaker bracing system that is still used in the majority of loudspeakers today. He was also behind the development of numerous iconic designs, including the B&W Nautilus, considered one of the finest loudspeakers in the world.

The Nautilus introduced the concept of tapered tubes to the audio world. This ground-breaking innovation prevents the sound waves at the back of the drivers from distorting the signal and is now a standard feature of all Vivid Audio models.

More information can be found here:

https://vividaudio.com/media/

https://vividaudio.com/vivid-technologies/

Thursday, March 26, 2020

Vivid Kaya S12 Speakers

Introduction

News of a new bookshelf model from Vivid Audio surfaced sometime last year, and a pre-production model made its appearance in a number of Hi-Fi shows. The Kaya S12 is Vivid's smallest speaker yet - a two way bookshelf speaker in a compact form factor. 

X-Audio recently received the S12, which is currently making its rounds to selected dealers worldwide. I took the opportunity to see how the S12 would stack-up against its larger siblings.  

Description

It's small size means that certain signature Vivid designs cannot be employed - no twin-opposed firing woofers, nor tapered tube for the midrange / woofer driver. However, they  managed to fit in a tapered tube for the tweeter, as well as the flowing curved cabinets seen in their Giya and Kaya range. To manage the back-force from the single midrange / woofer, a curved shell directly behind the driver absorbs and helps dissipate the energy. X-Audio informed me that this helps to reduce cabinet resonance in both the vertical and horizontal planes.




The S12's cabinet is finished in British racing green, although it looks almost black under normal lighting
A port is situated on the rear of the S12, with a single pair of binding posts placed below the port. As the binding posts are all the way at the bottom of the cabinet, stiff speaker cables and / or spade terminals could prove to be tricky not to mention dangerous. 




Pricing has not yet been finalised, and there is also some talk about matching speaker stands. Given how small the S12 is, a dedicated stand with the ability to securely bolt down the speaker would be mandatory to avoid accidents. X-Audio hopes that the speaker with matching stands will be able to reach our shores with a price tag below S$ 10,000 (keep your fingers crossed).

Admittedly, the S12 will in all likelihood be priced dangerously close to the Kaya 25, but still significantly more affordable than the rest of Vivid's line-up. I did have some reservations - could it handle dynamic swings as well ? The small cabinet volume also meant limited low frequency response. The two-way design required the midrange / woofer to cover a wider frequency range and work much harder compared to Vivid's more sophisticated and complex multi-way designs.

Impressions   

My apprehensions turned out to be unnecessary Audiophile fussing - hearing the S12 proved to be satisfying and appealing to both my analytical and emotional demands. 

The S12 delivered a solid kick in the bass and sounds much larger than suggested by its diminutive size. The midrange / bass driver is used effectively to sound full and deliver impact and weight when required. This is helped by unflappable composure at very high playback volumes, which is testament to the outstanding engineering of both the drive units and enclosure. 

Vivid speakers have many strengths, including excellent integration between drive units, super imaging and soundstaging, lightning fast transients, extremely high resolution and dynamic range. Most of these qualities are thankfully possessed by the S12. However, I felt that the S12 compromised on the scale and size of the soundstage - sounding smaller and less grand than Vivid's larger models. As brilliant as Laurence Dickie is, he is not able to re-write the laws of physics, and the S12 has limited low frequency output. This compromise is most noticeable on large-scale orchestral works and rock. 

On the positive side, the S12 really shines in near-field listening and would be my first choice as a near-field monitor. Given how prevalent small apartments are in Singapore, the S12 may be a more suitable choice in small listening spaces compared to Vivid's larger models. 

Conclusion

As a long time Giya G4 owner, it was very easy and comfortable to listen to the S12 over the duration of my listening session. I ended the session walking away very impressed that the S12 was able to deliver a performance as satisfying as the rest of Vivid's range, with some sensible and acceptable compromises. I eagerly await the S12 to make it into full production.

Price : TBD

X-Audio Pte Ltd

Bukit Timah Plaza
1 Jalan Anak Bukit #01-01S
Singapore 588996
Tel : 6466 4624