Showing posts with label devialet. Show all posts
Showing posts with label devialet. Show all posts

Sunday, October 31, 2021

Devialet Expert 140 Pro Amplifier

Prologue

Mei impatiently twirled the ends of her long hair as she waited for Joe outside The Adelphi - Mecca of all audiophiles in Singapore. Minutes later, Joe appeared in a huff and drenched in perspiration - the humid tropical weather was especially unkind to office workers in their impractical attire.

"Took a leisurely walk here Joe ?" Mei commented sarcastically before defusing the sharp edge of her words with the sweetest smile ever.

Joe ignored her remark and quietly opened the door, heading straight for the shop that carried Devialet products. Mei had tasked him to find a suitable stereo system for her and he thought this fit the bill even though it was too much of a compromise by his exacting audiophile standards.

Mei and Joe were welcomed into the shop (Joe was a regular customer there) and after some refreshments, the salesperson ran them through the features of the Devialet Expert Pro amplifier. Mei sat down on the sofa with Joe standing behind her. She scrolled through the iPad lying on the sofa and within a minute, her favourite tunes were playing sweetly through the speakers in front of her. She twirled the knob of the remote control a few times and nodded approvingly. After a few tracks, she got up and walked over to the Devialet amplifier that was sitting on the top shelf of the component rack. She brushed her long slender fingers on the beautifully chromed chassis. It looked like a futuristic slab of metal, with just a single small circular window breaking the uniformity of the top panel.

"This is a very beautiful piece of art. Will you help me set it up ?" Mei smiled at the salesperson with her dimples barely showing.  

"Ah! Of course Miss. We will set up the whole system for you. If you have an existing music library your boyfriend can help you connect it - it's really easy." The salesperson could smell the scent of a pending sale and the soon-to-be-earned commission was already warming the cockles of his heart.

"Boyfriend? Please!" Mei dismissively replied while rolling her eyes disapprovingly. Joe blushed at both the salesperson's words and the sting of Mei's response.

"It's a digital amp and you are paying a premium for a lifestyle product!" Joe protested at Mei's impulsive decision. Mei ignored Joe and continued to stroke the Devialet lovingly.

Thankfully, the salesperson managed to close the deal and the Devialet was delivered promptly to Mei's home with other components to make up her minimal and very tasteful music system.

Introduction

Mei and Joe are fictional characters, but there are many music lovers like Mei. They want a beautiful and good-sounding amplifier that can fit nicely into a modern home. Too many audio components look like something from a mad scientist's laboratory, or the control panel of a nuclear reactor. 

My very first experience with Devialet dates back many years ago when the D-Premier was first launched. A fellow audiophile was very eager for me to listen to it, and he turned up at my doorstep with a large flat box under one arm (don't try this with conventional amplifiers!). It was an impressive experience, with a laidback and slightly warm sound that was more than powerful enough to power my speakers then - a pair of Focal Diablo Utopia bookshelf speakers. Positive impressions aside, there were some glaring omissions in my opinion, the prime ones being unstable wi-fi streaming and a lack of a USB port. 

Was the D-Premier equal to my stack of components which were of equivalent value? Like a directionless corporate meeting, we respectfully agreed to disagree. He preferred the D-Premier, while I preferred my clumsy stack of components. He mischievously reminded me that the D-Premier was cheaper by a significant margin once I took into account the many footers, cables, power cords and rack space involved with my traditional stack.

The D-Premier cost close to S$ 20,000 when it was first released in Singapore. Thankfully, Devialet has worked hard over the years and the entry-level model (the subject of this review), the Expert 140 Pro is much more affordable.

Description


The Expert 140 Pro retains the sleek lines of the D-Premier. It is sexy enough to elicit envious glances from the most jaded audiophile. It has a more than passing resemblance to a high-end bathroom scale, and can even be mounted on the wall if you so desire.

A small port window shows various information including volume, source, and the status of SAM, and network connections. A single button powers up and shuts down the unit, while a sleek remote control controls commonly used functions (or as customised by the user).

Beauty here is not merely skin-deep. The Expert 140 Pro packs impressive amounts of technology and integration. Apart from being a powerful integrated amplifier, it also contains a DAC, phono stage (both MM and MC) and streamer. 

The most controversial design point is that everything is handled in the digital domain. In the case of the phono stage, or analog input, the signal is converted to digital using a high quality A/D converter. Listening to your records after it has been digitised ? Sacre Bleu !  An optimist would of course focus on the benefits of having the signal in the digital domain, including the ability to process the signal using powerful DSP. Devialet is able to do this for both the partnering record cartridges (RAM) and speakers (SAM). The digital heavy lifting is carried out using a Quad-core 1 GHz CPU and 2 X SHARC 400 MHz DSP units.

Despite the compact form factor, the Expert 140 Pro packs a powerful punch. Power output is 140 W per channel into 6 ohms. Amplification is achieved with a hybrid design that combines a Class A amplifier (providing voltage amplification) with Class D modules (providing current). In a way, this concept is similar to the current-dumping design launched by Quad in 1975 which combined a Class A amplifier with "current-dumping" transistors to supply the necessary current. Class A designs are required to dissipate tremendous amounts of heat and a design that could deliver power equivalent to the Devialet would be massive and put out enough heat to warm a small room! 

RAM and SAM

Record Adaptive Matching (RAM) is available in the Expert 220 Pro upwards and the Expert 140 Pro only allows a choice between MM/MC and adjustment of sensitivity. RAM allows the user to choose more than 256 combinations of resistance and capacitance, as well as a choice of equalisation curve. 

Speaker Adaptive Matching (SAM) is a complex compensation model that attempts to correct sub-optimal speaker behaviour. Devialet measures the speaker in question to create a map of more than 60 parameters. The model is derived from measurement of the crossover network, speaker driver displacement, deformation, maximum displacement, speed and acceleration. Speaker models are continuously added to the SAM database, and the current database stands at more than 900 models. Conveniently, both my Vivid Giya G4 and Tannoy Kensington GR speakers are listed in the database. 

A worthy mention is that SAM allows extension of your low-frequency response, with sensible protection built-in to prevent you from blowing up your speakers. It can be switched in and out on the fly using the remote control. By configuring your remote, it is possible to adjust the level of SAM correction from 0 % to 100 %.

Configurator

An online configurator allows you to set up your Devialet according to your preferences. You can configure your inputs to be either digital or analog (either line-level or phono), and apply SAM, and phono settings too. 

This is just scratching the surface of what the configurator allows you to do. You can also (this is just a shortlist of features available) customise your remote control buttons, adjust the sampling rate of the ADC for analog inputs, set individual sensitivity levels, and adjust the maximum power output allowable from the unit.  

The configuration file is then saved onto an SD card which is inserted into a slot at the back of the amplifier. You could create multiple configuration files to be saved on different SD cards should you wish to show off your amplifier in another person's system. 

Operation and Ease of Use

Getting the Expert 140 Pro up and running was quite easy, save for the scare I got from the non-responsive remote. It turned out that the installed batteries were dead even though my unit was brand new. 





The compact dimensions do require you to use a power cord with a slim IEC and banana plug terminated speaker cables. In an all-time first, an entry level Audioquest power cord is supplied in the box. In case you insist on using your massively sized power cords, a removable rear plate allows you to do this, losing a bit of stylishness in the process.

I never got the Devialet to stream from a DLNA server source, and neither did I install Devialet Air (the companion streaming software) as this runs on a personal computer (which I do not use in my main system). Instead, I used the Devialet as a Roon endpoint where it worked seamlessly. You can also use Airplay and Spotify Connect if you want to.

I did have the odd occasion where the Devialet failed to detect the SD card upon start-up. However, powering the unit down and re-inserting the SD card solved this. I found it odd that Devialet used such a primitive method of configuring the unit when everything else about the unit is technologically light-years ahead of the competition. The configuration file is a text file that can actually be viewed and edited, which seems dated. It would have been nice to be able to configure the Devialet using an app instead. Instead, the free app works as a substitute for the remote control. 

My remote also had an issue with batteries, eating up fresh alkaline batteries every 2-3 months on average. No wonder, the factory-supplied batteries were flat on arrival! I've read of other users having similar issues, and this apparently can be fixed by the factory.  

Sound Quality

The Devialet appeals as a lifestyle product and brings with it the misconceptions of an overpriced and inferior product. Actual use (I've had my set for more than two years) proves that this is a highly versatile product that is a viable and attractive alternative to a stack of components with spaghetti cabling everywhere! I have brought the Devialet along to listening sessions in other setups where they have always acquitted themselves, even against very expensive equipment.

The Devialet does have a subtly sweet and rich tone that is pleasant and inviting. The Class D detractors would have to leave in disappointment at this juncture. The midrange in particular is sweet, smooth and laidback. The bass quality is good, with power and a full textured midbass. In fact, you could argue that the Devialet takes the polite path rather than a sharp, or hyper analytical route. The high frequencies are also cleanly reproduced, without any noticeable evidence of roll-off or anomalies from the low-pass filter required for Class D designs to filter out ultra-sonic noise.

I would rate the Devialet's performance as reasonable for the price. However, enabling SAM lifts it up significantly. Apart from the very obvious boost in bass extension and power, there is an increase in focus and coherency that makes it very hard to revert back to SAM-less listening. Play it again Sam!  

Conclusion

The Devialet is a superb all-in-one that demonstrates that convenience need not come at the expense of sound quality. It's a pity that traditionally-minded audiophiles may not give the Devialet due consideration. 

With shrinking living spaces in Asia, this is the perfect product that ticks all the boxes :- looks, convenience, quality and price. Some may disagree that the Devialet is an affordable product, but I am convinced based on the many boxes it replaces, and the outstanding sound quality it delivers - Highly Recommended.    

Epilogue

Mei sat gracefully on her sofa, listening to music from her new sound system. Joe had managed to convince her to install the Expert 140 Pro amplifier on top of her cantilevered TV rack. Discrete cabling ran to two very slim floorstanding speakers. The system was a perfect foil to Mei's character - graceful and elegant.  

Her music collection had been ripped and stored on a dedicated Intel NUC PC that functioned as a Roon server. Joe had also subscribed to Tidal in case Mei wanted to explore new music just like she did when she came over to his home.  

Standing up, Mei surveyed the very neat job that Joe had done in arranging everything. Her long flowing white dress showed off her slim waist and she glowed like an angel. Joe's heart skipped a beat and he bit his lower lip hard.


Devialet Expert Pro 140 Amplifier

Price : S$ 8,990 

  


        



Sunday, July 2, 2017

Devialet Expert Event









Devialet recently did a demonstration between their Expert Pro series and the preceding generation models at their Singapore dealer - Audionote Singapore.

The first demonstration involved a comparison between a pair of Devialet 400 Mono amplifiers, and a pair of the latest Expert Pro 440 amplifier. The rest of the setup comprised of Raidho speakers and an Audionote CD transport.

Regrettably for the 400 Mono owners, the comparison was to me utterly crushing. The 440 had more control, authority, sweetness and refinement. The demonstration material included fairly  dynamic test tracks played back at high volumes - the 440 really shone here with a lack of strain compared to the 400. Dimensionality was also much improved, with a superior rendering of acoustic space and sonic images.

The next demonstration session had a pair of Avantgarde speakers paired with the Expert Pro 1000 monoblocks - this time with an analog front. I've heard Avantgarde speakers before. It was marred by amplifier noise - the resultant hum was deafening through the high efficiency Avantgardes. Devialet was obviously not the least bit worried - the speakers were dead silent, not a trace of hum or noise. Sadly, I had to leave before the demonstration started proper. I did get to hear the warmup records ..... RIAA equalization in the digital domain ! Sounds like heresy, but frankly if they had covered  covered the Devialets up, I would have been none the wiser.

To be continued ...

Friday, June 21, 2013

Devialet D-Premier (Quick Impressions)


Do excuse me for the grainy picture that was taken after a late night session. As can be seen from the picture, the Devialet D-Premier is a beautiful piece of art designed specifically to weigh yourself and your hi-fi toys. Well, at least that is the first thought that comes to mind.

The D-Premier could probably charm alone on looks, with its beautiful top located display, and subtle amber operation light - the industrial designers deserve a pat on the back here. Watch out for the rear panel though - connections here are quite tight.

Truth be told, the D-Premier is an incredibly versatile amplifier that combines an integrated amplifier, Wi-Fi streamer, DAC and Phono Stage - all in a compact chassis that is light enough to be carried under one arm. 240 watts per channel enables the D-Premier to drive most speaker loads on the market. The unit on test is an older version without Ethernet and USB plug in capability, although the RCA jacks can be configured to accept SPDIF digital signals with up to 24 bit resolution and 192 kHz sampling rates. The online configurator and remote control get special mention. The configurator allows customisation of inputs and a whole host of other options. This is then loaded on to a SD card which is read upon boot-up of the D-Premier. The remote control works via RF and is sensitive, without requiring line of sight. I regretted not taking a picture of the very classy and beautiful remote control.

This unit was kindly brought over by a friend, S who is currently using the D-Premier with his Focal 1028 Be speakers. We listened for a short while to my setup before replacing my Conrad Johnson Classic 60 SE with the D-Premier on the rack. We tried three different input configurations, using a coaxial SPDIF feed from my Mac Mini (using a Bel Canto u.link as an USB/SPDIF convertor), using analogue inputs from my Calyx Femto, and via Wi-Fi streaming from a Windows notebook computer.

The D-Premier was first hooked up via its coaxial input, with the HiDiamond P3 power cord supplying mains power. The noise floor was far lower than my Conrad Johnson and retrieval of very low level information was superior. This was not surprising given that my system has a moderate degree of tube noise. We had selected "A Case of You" from Diana Krall's album, "Live in Paris" as one of the test tracks. I was not familiar with this track and heard a cough shortly into the start of the track on my Conrad Johnson. With the D-Premier, it was obvious that there were multiple coughs throughout the track and other small subtle noises from the audience.

Imaging was very precise with a high level of resolution. The D-Premier had a surprisingly sweet and slightly full midrange. Some ICEPower based amps I have heard in the past, had artifically tight (and rather one-note) bass, and dry / flat high frequencies. Happily, the D-Premier does well in this regard with natural bass presentation and sparkling high frequencies, without sounding too bright or analytical. However, I felt that the D-Premier presented a flatter and narrower perspective.

We changed power cords at this point and it was obvious that the D-Premier was highly sensitive to power cords. Using an Acrolink PC-7100 in place of the HiDiamond immediately resulted in improved soundstage depth, width and fluidity in articulation. We also tried the Acrolink PC-7500 which in my opinion was jaw dropping although S felt that they were quite close in performance, and compared to the HiDiamond sounded slower in terms of pacing and drive. D-Premier owners should liberally experiment with power cords to find one that suits their system and taste.

Moving on to the analogue inputs (which are converted to digital by an A/D convertor), we felt that this was comparatively soft and laidback in presentation. From a logical and purist point of view, it seemed to make little sense to go through D/A conversion (via the Calyx Femto) and then convert the analog signal back to digital. However, there was no catastrophic loss of fidelity as feared, and we probably would have been quite happy if not for a direct comparison to the digital input which we started off with at the beginning of the session.

The Wi-Fi comparison proved difficult as S was controlling streaming via J River which had upsampling enabled. I would avoid making any judgements there given the excessive variables in play.

Both the D-Premier and Classic 60 SE are to my ears, good matches for the Focal Diablo, the final determinant being personal preference. The D-Premier is not cheap by any stretch of imagination and you do not really save much over conventional separates. S was quick to point out that we saved on rack space, two power cords, and two pairs of interconnects. Well, if I count my phono stage, then throw in savings for further rack space,  another pair of interconnects and a power cable too, we do have some savings afterall !

S preferred the match with the D-Premier, while I preferred the Conrad Johnson. The D-Premier to my ears had a cooler disposition, with superior separation and low level detail retrieval. It did better for rock too, which I seldom listen to. On the other hand, the Conrad Johnson had better three dimensionality, with bigger image sizes, and more bloom with the human voice and instruments. It also did better in retrieval of acoustic space and subtle shading of the music and vocals.

Do keep the D-Premier on your shortlist if you are looking at the price sector. It has unique strengths, and this is one of the few products I know that could fit in with modern decor and be a unique all-in-one solution (with a computer streaming the data elsewhere), without a feeling of compromise in fidelity and power.

The local dealer in Singapore is AV Intelligence.